I Saw the Devil

Description

Product Description I SAW THE DEVIL is a shockingly violent and stunningly accomplished tale of murder and revenge from Korean genre master Kim Jee-woon (THE GOOD, THE BAD, THE WEIRD and a TALE OF TWO SISTERS). Oldboys CHOI Min-sik plays Kyung-chul, a dangerous psychopath who kills for pleasure. The embodiment of pure evil, he has committed horrifying and senselessly cruel serial murders on defenseless victims, successfully eluding capture by the police. On a freezing, snowy night, his latest victim is the beautiful Ju-yeon, daughter of a retired police chief and pregnant fiancie of elite special agent Soo-hyun (THE GOOD, THE BAD, THE WEIRDs Lee Byung-hyun). Obsessed with revenge, Soo-hyun decides to track down the murderer, even if doing so means becoming a monster himself. And when he finds Kyung-chul, turning him in to the authorities is the last thing on his mind. The lines between good and evil fall away in this diabolically twisted game of cat and mouse. Pushing the concept of revenge to it's most extreme limits, Kim Jee-woon brilliantly transcends the police procedural and serial killer genres in surprising and thrilling new ways. .com Korean director Kim Ji-woon first garnered a reputation as an ace assimilator of outside styles, most notably for the ickily Freudian J-horror thriller A Tale of Two Sisters and the monumentally goofy spaghetti Western pastiche The Good, the Bad, the Weird. I Saw the Devil finds the filmmaker moving towards a style much closer to home--namely the Korean revenge thriller, best typified by movies such as Oldboy, Memories of Murder, and Nowhere to Hide--with results that vary between masterfully staged and punishingly gross. Beginning with an impeccably uneasy snowbound abduction scene, the story follows a dashing secret agent (Byung-hun Lee) sworn to track down the murderer of his pregnant fiancée. Upon finding the maniac (Oldboy's majestically disheveled Min-sik Choi), he implants him with a tracking device and proceeds to follow him across the country, swooping in to torture him at random intervals. Clocking in at 144 minutes, Ji-woon's film clearly believes in a more-is-more policy, with ideas about the futility of revenge and the dangers of staring into the abyss taken to their graphic extremes. Viewers with strong constitutions will find much to chew on. Anyone else, however, should be prepared to dive behind the couch at a moment's notice. --Andrew Wright