BEHRINGER ベリンガー ハイゲインディストーション HM300/HEAVY METAL

倅が私のギターを弾くようになったので、それに併せてセッティングに苦労しないエフェクターをと考えてコレを選びました。 我が家にはZOOMのマルチしかないので、流石に中学生にソレ使わせるのはちょっと、ねぇ。 で、この商品。値段が値段なので、ノイズが酷いのではないか、逆にハイ落ちするのではないか、歪みは強いがチープな音になりはしないか、と心配はありました。その全て、とは云い切れませんが、良い意味で裏切られました。コレとデジタルディレイがあればそれだけで私の好みのメタルメタルした音がします。小規模なライブならコレ一台で十分な音作りが出来てしまいます。 必要十分。コストパフォーマンスは非常に高い商品です。

摘みあまり回さなければヘビーメタルの標準的な音かな。あまり歪みませんよ。というか、歪むんだけど歪みの幅が狭いのです。でも太いきれいな音です。高音はくっきりしています。すべての摘みを全開にするとスウェディッシュデスメタル特有の腐食した鉄板みたいな、あるいは下水管の中で演奏してるみたいなあの音が出ますよ！懐かしい音ですね。昔は地を這うような、分離が悪くぶよぶよでギターなのかベースなのか判りにくいＢ級Ｃ級デスメタルがたくさんいましたが、正体はこのエフェクターだったのかも。

自宅で趣味で弾く分には十分すぎる商品でしょうね。アダプターではなく電池を入れて使っていますが、電池交換は慣れれば簡単にできますよ。

値段の安い時期に購入したので、ラッキーでした。コスパの良い商品です。

昨日届きました。なのでまだ少ししか使用できていないのですが、この価格でディストーションの音が楽しめるので大変満足しています。 破格ですね。よい買い物でした！

この値段でこの音色、音質問題なし。 私の好みのDigitechのチューブプリGSP-2112と同じ様な音が出ます。 強いて挙げれば蓋の開閉方法を改良して欲しいぐらいか？

Tiempo de entrega exacto , el pedal nuevo y en caja . Aconsejable utilizar un pedal NoiseGate para disminuir el ruido de estatica si se pienza usar la distorcion al maximo para escuchar su sonido caracteristico . Cuidado si se pienza utilizar un eliminador que no sea el recomendado de la marca Behringer , checar primero el elimandor a usarse que entrege 9 volts reales y el miliamperaje a minimo a 100ma .

Excellent pedal to get that Swedish buzzsaw! All gain.

You're probably here for ONE of two reasons: Either 1.) It's cheap, it's bright pink and it says heavy metal on it. Or 2.) You've heard that this sounds identical to the original Boss HM-2 Heavy Metal, made famous by all those Swedish death metal bands. If you're here for reason 1, skip on this pedal, and go buy the UM300 Ultra Metal (cheap, pink Metal Zone clone), as the HM300 most likely isn't the heavy metal sound you have in mind. The UM300 can dial in a lot more standard metal tones, it's quite versatile and it's actually not that bad. If it's reason 2, then you can definitely believe what you've heard. I have a MIJ Boss HM-2, and I picked this up on a whim as I'd heard what it supposedly does. For £20, I thought "what's the worst that can happen?" especially after hearing the demos. The side-by-side comparisons were spot on. The HM300 is as close as you're going to get to the original HM-2, and if you don't fancy spending £100 in a beaten up, 25 year old HM-2 (or up to £250 on a boutique clone like the Left Hand Wrath which doesn't really sound all that much like the HM-2 anyway), then get this. Obviously the original HM-2 has a certain cool-factor and an everlasting re-sale value, but honestly - and you boutique pedalheads might scoff at this - I now prefer the HM300. The "sweet-spot" is slightly different. The HM-2's sweet spot is all the dials at 10, and the pedal sounds like garbage if you dial in anything BUT that. Whereas the HM300 is similar, though you roll off the "High" EQ (which on some models, they've called "Mid") just a *little* bit, though you can have it full, but it will give you a very cutting tone. which is great for leads, but is far too fizzy for that thick, saturated rhythm sound you're probably looking for. You can also roll off the distortion a little bit (to about 3 o-clock), which still gives you an incredible amount of gain, but it seems to ease off on the throttling compression you get at maximum gain, and the chugged palm mutes start to sound a bit more thrash-like; clear and stabby and less like an atomic bomb going off. That versatility is important for getting it to sit right with your amp. Unlike the HM-2, which if it doesn't sound good with your amp with the pedal's dials maxed out, then you are fighting a losing battle. It sounds like the original, with that added room to maneuver around your amp's natural tone. If your amp is bright, roll off the High. If your amp/cab gets a bit farty with low end, roll off the distortion, to get a much more level chug sound without compromising *that* tone. From my experience, you just can't do that with the HM-2. It's either all or nothing. With this, you have some wiggle room. Not only that, but it sounds GOOD. So close to the original that I feel a bit silly paying £100 for a Boss HM-2 some years ago. The ONLY downside is that it's plastic. For a stomp-box, I am worried as to how many stomps it will be able to take. But the tone is worth preserving, and for such a low price, you could use the money you saved on not buying a HM-2 to get a DIY FX pedal maker/modder to rehouse this for you, into something more resilient, if you really wanted to. Or you could just be careful with it. It's up to you. I am told they are more sturdy than they look and feel by folks who have had theirs a long time. We'll see. I haven't rehoused mine yet, but I am thinking about it. Ignore the reviews saying that it's bad. They just didn't know what they were buying. If you are buying this with either Swedish Death Metal in mind or that crusty grind/hardcore sound like Nails, Trap Them, Black Breath etc (which is pure Swedish Death Metal worship anyway), then you will not be disappointed! If you want a crisp, clear Brown Sound or a modern Metalcore sound, then this won't do it.

Goede Distortion voor deze prijs ! Doet wat hij moet doen . Ik heb verschillende Pedals van Behringer en ik vind ze niet slecht ! De behuizing is van harde plastic enige nadeel ! En dan nog !

Cette pédale est une parfaite alternative à la Boss HM-2, qui ne se vend plus et dont les prix sont assez élevé. Vous pourrez donc avoir "le" son de la scène death métal de Suède des années 90 en mettant tout à fond. Vous pourrez bien sur avoir des réglages plus subtiles, ça reste une pédale de distorsion classique, que l'on peut également utiliser pour faire du rock, ou du heavy. Elle est plutôt discrète et ne généré pas trop de souffle (un peu quand même, ça reste une disto) comparé à d'autres pédales. Contrairement à ce que dit un autre commentaire, cette pédale comporte bien emplacement pour une pile 9v (mais faut savoir comment ouvrir, c'est assez subtile). Il y a également une prise pour une alimentation externe 9v. Côté finition, c'est effectivement du plastique, ça peut être déroutant si vous êtes habitué au pédale tout métal. Mais le plastique est plutôt solide, et la pédale est globalement bien faites. Pour la couleur, c'est une affaire de gout, personnellement je n'achète pas une pédale pour son look, mais son son. Après, l'avantage du rose flashy, c'est que sur scène dans l'obscurité, vous saurez où elle est.