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With over 40 years in the industry, production designer Hans P Bacher is acknowledged as one of the legends in animation film design. He now lives in Singapore where he passes his knowledge to students at the prestigious Nanyang Technological University. Co-author Sanatan Suryavanshi is an Art Director living in Toronto. A graduate of Sheridan College, Toronto, he attended the Masterclass of Hans Bacher, and has collaborated with Bacher from the start of the production of Vision. Over a period of seven years he has helped to develop the concept, visuals and text. Most recently, Suryavanshi was the Art Director at Guru Studio for Cartoon Saloonโs The Breadwinner, responsible for designing the light and color for the productionโs โstoryworldโ sequences. Prior to this, he was Guru Studioโs lead development designer defining an original look for several projects including True and the Rainbow Kingdom and Midnight. Currently, he splits his time between development work on feature films, production designing for an undisclosed Cartoon Network show, and helming the prestigious Crush Visual development studio as Creative Director. Review: An Excellent Learning Source - I've had this book for quite a few years now and it's a constant source of inspiration and information and a great book to come back to when working on any animation, motion design or other moving image project. Review: Stunning, informative, a must for any serious filmmaker or budding auteur. - Quite possibly the best book on filmmaking. Never be too confident to believe you have remembered everything from film school, or study, or from neither of those and learning through practise. This book reminds and informs in such glorious simplicity, beauty and intelligence. Just frigging love this book. Keep it by my bedside. Make sure to open it every week. It's a bible for film. 10/10
| Best Sellers Rank | 234,868 in Books ( See Top 100 in Books ) 155 in Animation Production & Technology 227 in Film Direction & Production (Books) 237 in Animation (Books) |
| Customer Reviews | 4.9 out of 5 stars 353 Reviews |
E**.
An Excellent Learning Source
I've had this book for quite a few years now and it's a constant source of inspiration and information and a great book to come back to when working on any animation, motion design or other moving image project.
H**E
Stunning, informative, a must for any serious filmmaker or budding auteur.
Quite possibly the best book on filmmaking. Never be too confident to believe you have remembered everything from film school, or study, or from neither of those and learning through practise. This book reminds and informs in such glorious simplicity, beauty and intelligence. Just frigging love this book. Keep it by my bedside. Make sure to open it every week. It's a bible for film. 10/10
E**A
Great reference.
I havenโt fully applied the knowledge in this book to my own work as of writing this review but I can see that it will be very useful. Lots of very nice imagery. Detailed and comprehensive. It was well worth the price I got it at.
D**O
Wish I found it sooner
Brilliantly put together. Gets the points across clearly. A gem and something I'm going to refer back to often.
G**A
Totally recommend it
This book is amazing, I totally recommend it. If you want to learn more about image composition ( elements, shape, colour, lines, harmony, contrast, etc) that is THE book.
M**H
What I really need :)
Arrived quite fast and in very good condition. Book is interesting and easy to read and understand.
A**B
Image DNA
Sometimes we forget about the real fundamentals of image creation, and this book gathers everything theoretically and practically about that topic. It is very useful for all image creator, whether you are a film maker, graphic designer, or a 3D artist.
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