Scarlett Solo 4th Gen USB Audio Interface, for the Guitarist, Vocalist, or Producer — High-Fidelity, Studio Quality Recording, and All the Software You Need to Record

The Focusrite Scarlett Solo 4th Generation USB Interface has been outstanding. The sound quality is noticeably clear, warm, and clean, and the preamps are excellent for vocals and instruments. I specifically chose this version because I’m using a RODE dynamic microphone, and I needed an interface with clean preamp gain and proper XLR support without introducing noise or requiring extra hardware. The Scarlett handles that perfectly and provides the power and clarity the Rode needs to sound its best. The setup was super simple (literally plug and play) and it connected immediately with zero complications. The build quality feels solid and professional, and the controls are intuitive and easy to dial in. Latency is virtually nonexistent, the headphone amp is strong and clean, and the gain LED indicators make it easy to monitor levels without clipping. It’s compact enough for a desk setup but still feels premium. If you’re looking for a small, reliable interface that delivers professional-grade audio for podcasting, voice recording, instruments, or content creation, this is a fantastic choice. Worth every dollar. Highly recommend.

Got this for a new gaming PC with Win11. No drivers available for my old 8-channel audio interface, which was overkill anyway. (I make game videos with voice commentary and only need one channel). Installed and set up Scarlett Solo with no problems. Simple, does what I need it to do, sounds great, what's not to like? My only nitpick is that the XLR input gain control seems to be scaled oddly. There's a tiny sweet spot around 75% where I can record voiceover I'm happy with. A few degrees too far counterclockwise and the audio is barely above the noise floor. A few degrees too far clockwise and it clips. So basically, I set it, put the box where I can't accidentally bump the knob, and forget it.

This item is everything it says it is!!!!! I have already started making PROFESSIONAL SOUNDING MUSIC using this HUB and its now my favorite thing to use while making music......im going to upgrade in the future and get the APOLLO TWIN X but for now THIS IS PLENTY PROFESSIONAL POWER AND SOUND FOR THE MONEY!!!! my favorite feature so far is the AIR FEATURE which brings your voice more to the front and makes you sound really professional. I also love the fact that it it has HALO LIGHTS cause thats the only way I know how to MEASURE SOUND. Don't get me started on the volume. THIS HUB CAN GET SERIOUSLY LOUD so ensure that you are listening or mixing at a SAFE LEVEL FOR YOUR EARS. Last but not least the BUILD. I love the quality of it the way it feels when you take it out the box. To me it feels KINDA PREMIUM the only issue I didnt like is that the box comes with a USB A TO TYPE C cord. I think they should of given us a TYPE C TO TYPE C but thats a small gripe. Other then that if you invest in this HUB your going to love it. Just so you know this HUB also comes with PRO TOOLS AND FL STUDIO PRE INSTALLED all you have to do is finish setting up whichever of those DAW'S YOU WANT TO USE and it can also run ALBLETON. so with all that being said. ENJOY YOUR NEW ITEM.

I read many reviews of this audio interface identifying it to be a favorite choice of podcasters to provide a clean, professional vocal sound with no hassles. And that's exactly what I got. I already had a very good mic, a very quiet minicomputer, a studio space, a good pair of headphones, and a good set of monitors. This wonderful piece of kit pulled it all together, and now I'm knocking out my audiobook--with podcasts to follow!

I could not use this out of the box because the factory programming would not allow me to use the headphone jack and the XLR input at the same time. The headphones would cut out as soon as I talked into the XLR mic. I looked up the issue and it was bad software. Which seems to be a running theme with this company if forums are to be believed. Download their software and run it to update the amp's firmware. Then PROMPTLY DELETE IT. I kept getting alerts their software was trying to silently backdoor my firewall settings even though I had it set to not check for updates. It also silently set up a run on startup command that I never allowed. So unless your audio recording software is Audacity there is no need to keep the factory software on your computer. All the so called features it provides are already in most recording software. Another issue I ran into is that my Scarlett Solo 4th gen does not like USB 3.0 ports. I know that the amp is USB 2.0 only but that should not have caused issues when I plugged it into the 3.0 port but it did. I had to shuffle my USB devices around to free up a 2.0 port. The device I moved to the 3.0 port did not have any problems so it was not the port being dead. Cons: -Bad firmware comes preinstalled -Company software is argumentative -Cheap USB cable comes with it -Online Only instructions on how to set up and they require you to go to multiple manuals to be told what to do -Not enough gain for a basic SURE SM7 Pros: -Solid feel to the construction -Good feeling and functional knobs -Works well after fine tuning -Has enough gain to run the newer SURE SM7dB when the mic is set to +28dB -Good sound quality -Headset has independent volume knob -Clean interface -Air boost feature works and is not a gimmick

Easiest setup ever. I got the 4th gen Scarlett Solo. I have an existing interface that wasn't compatible with the new pc I got for whatever crazy reason. I've used it for years and it's been fine but I had so many issues I almost gave up. Purchased this as a hail mary before buying a whole new pc setup and it worked! Instantly! Install is a snap right out of the box and it works for everything I need it to be. If you're having issues with Windows 11 or an old interface with a newer pc. I recommend the newest version of this extremely popular interface brand. It just makes sense.

This is THE perfect audio interface for voice over, it can handle loud noise without peaks, and works with my macbook seamlessly. Super recommend, good audio comes from good interfaces, and this is a GREAT one!

The Solo is a solid DAC for a one man setup, got it originally to get into high-fi audio and combo'd it with the Sienhouser HD550s and the Scarlett (alongside good gear) does give an audiophile like listening experience, listening to flac files was a great time, and using it to process video game audio made me near omniscient during gameplay. I also happened to start playing guitar and bass about 7 months ago and it's great for plugging in instruments to an amp sim or recording, ditto goes for any xlr mics, mine is a budget dynamic mic that needs particularly high gain to be audible (the pd100 from Maono) and the Scarlett handles it no problem. I can't properly speak to the sound quality of the L/R speaker outs since I'm using a pair of Pebble V3s in an untreated room, but I'm assuming it would be similar in quality to what I heard from my headphones. As always, the quality of your sound is going to be determined by your audio pipeline as a whole and this is only one part of that chain, though I feel this device is a particularly strong link in any one person setup.

Eccellenza in formato compatto: La regina delle interfacce entry-level ​Ho acquistato la Focusrite Scarlett Solo di 4ª Generazione dopo aver usato per anni la versione precedente, e il salto di qualità è semplicemente incredibile. Non è solo un restyling estetico, ma un vero e proprio upgrade tecnologico. ​💎 Design e Qualità Costruttiva ​Appena la tiri fuori dalla scatola, la sensazione è di robustezza. Il classico chassis in alluminio spazzolato rosso è iconico, ma i nuovi Halo Gain (i cerchi luminosi attorno alle manopole) sono molto più precisi e moderni. Reagiscono in tempo reale, aiutandoti a impostare il livello perfetto senza mai andare in clipping. ​🔊 Qualità del Suono (Il vero punto di forza) ​Il preamplificatore microfonico è silenziosissimo. Anche alzando il guadagno, non c'è traccia di fruscio di fondo. ​Modalità Air: La nuova funzione "Air" con modalità "Presence" e "Output Drive" aggiunge una brillantezza alle voci e alle chitarre acustiche che di solito si ottiene solo con hardware di fascia molto più alta. ​Convertitori: I convertitori a 24-bit/192kHz derivano dalla linea professionale RedNet. La chiarezza del suono è cristallina, perfetta per chi vuole risultati professionali anche in una cameretta. ​🎸 Facilità d'uso ​L'installazione è stata fulminea. Lo strumento Easy Start di Focusrite è a prova di principiante: ti guida passo dopo passo nel download dei driver e del software incluso (che è tantissimo: Ableton Live Lite, Pro Tools Artist e una suite di plugin fantastici). ​✅ Pro: ​Preamplificatori migliorati: Ultra-trasparenti e potenti. ​Ingresso Instrument Hi-Z: Perfetto per collegare la chitarra elettrica senza bisogno di DI box esterne. ​Dynamic Gain Halos: Monitoraggio visivo del segnale intuitivo e immediato. ​Latenza quasi zero: Monitoraggio diretto impeccabile per registrare senza ritardi fastidiosi. ​❌ Contro: ​A voler essere pignoli, ha un solo ingresso microfonico (XLR sul retro), quindi se dovete registrare un podcast a due persone o una batteria, vi servirà la sorella maggiore (2i2). Ma per un solista, è la perfezione. ​📝 Verdetto Finale ​Se sei un cantante, un chitarrista o un podcaster che lavora da solo, non c'è scelta migliore sul mercato. La Scarlett Solo 4th Gen è affidabile, bellissima e suona in modo divino. Vale ogni centesimo del suo prezzo.

The Focusrite Scarlett Solo 4th Gen has been great to use for both recording and music production. It's truly plug and play-setup was quick and painless, and it worked immediately with my system without any issues. Audio quality is solid, with clean input and low noise, making it easy to get good recordings without a lot of extra tweaking. Another nice bonus is the bundle of free plugins and music tools that come with the interface, which adds real value, especially if you're just getting started. It's compact, portable, and well-built, making it easy to take on the go. For the price, it's definitely worth it if you need a reliable, decent-quality audio interface without spending a lot.

Nice product

Muy buena, en mi caso lo único que queria es poder conectar mi guitarra y un micrófono XLR a mi computadora asi que me ha funcionado perfectamente, ahora que he considerado el poder hacer podcast en un futuro esta interface se quedaría algo corta. La calidad se siente bien, es algo ligera, la he usado en Windows y MacOS y no he tenido ningún problema.

J'ai acheté la Focusrite Scarlett Solo 4th Gen pour enregistrer mes compositions musicales — guitare, voix et productions. Après plusieurs jours d'utilisation intensive, je suis extrêmement satisfait. C'est vraiment devenu l'élément central de mon home studio. Qualité de capture audio : La qualité sonore est impressionnante pour le prix. Le préamplificateur Focusrite est reconnaissable : j'obtiens une capture cristalline et précise, sans coloration indésirable. Quand j'enregistre une guitare acoustique, chaque harmonique est captée finement. Avec ma guitare électrique, la définition est excellente, même en distorsion ou overdrive — aucune perte de détail, un vrai régal pour l'écoute ! Pour les voix, c'est pareil : le micro capte la chaleur naturelle, la diction reste claire. J'ai testé différents microphones (condensateur et dynamique) et l'interface s'adapte parfaitement. Le gain s'ajuste très précisément, je peux enregistrer des voix douces sans bruit de fond, puis passer à des screams ou des cris sans clipping. Spécifications techniques qui font la différence : Le convertisseur AD/DA est de haute résolution — je travaille en 24-bit/192kHz sans problème. La latence est extrêmement faible, pratiquement imperceptible : quand je branche mon casque de monitoring, je n'ai quasi aucun délai de latence entre ma guitare et ce qui revient au casque avec les bons réglages dans mon Cubase. C'est crucial pour jouer en direct ou pour enregistrer des overdubs en phase. Le gain du préamplificateur est généreux (40dB de gain) : même avec un micro faible ou une guitare très basse, j'obtiens un signal propre et utilisable sans avoir à booster trop fort dans la DAW. L'impédance d'entrée est adaptée aux guitares et aux microphones dynamiques. Options et fonctionnalités avancées : Ce que j'aime particulièrement, c'est la flexibilité des options disponibles. Je peux basculer facilement entre différents modes d'entrée : ligne, micro, ou guitare. Il y a un bouton dédié pour activer la charge fantôme 48V quand j'utilise des microphones condensateur — très pratique pour ne pas avoir à redémarrer. L'option de monitoring direct est excellente : je peux ajuster le mix entre le signal en temps réel de ma guitare et la lecture de ma DAW. C'est idéal pour enregistrer des overdubs sans latence perceptible. Le bouton de gain Air (présence) ajoute une légère coloration lumineuse quand je veux un son plus brillant et aéré — c'est subtle mais efficace. J'apprécie aussi les options de sortie casque indépendantes. Je peux avoir un niveau de monitoring différent du niveau de sortie principale vers mes enceintes, ce qui me permet de gérer le mix avec plus de liberté. Les deux lignes de sortie (stéréo) offrent flexibilité pour des configurations d'enceintes ou pour tester sur plusieurs systèmes. Intégration avec ma DAW : Côté software, les drivers ASIO sont stables. Je travaille principalement avec Cubase et la latence est gérée parfaitement même en multi-piste. J'ai aussi reçu Ableton Live Lite et testé avec aucune latence. Il y a d'autres d'autres outils utiles mais pas encore testé. La suite logicielle est vraiment généreuse pour cette gamme de prix. Monitoring et contrôle : Les boutons de contrôle sont réactifs. Le gain d'entrée s'ajuste en temps réel et je peux écouter en direct avec mon casque. Le mix entre le signal direct et la DAW se fait facilement. Les LED indicatrices m'aident à repérer le niveau optimal sans écrêtage. le design des leds est très réussi. Points forts : - Préamplificateur Focusrite de très haute qualité - Capture audio cristalline, détails préservés - Conversion 24-bit/192kHz sans problème - Latence extrêmement faible (ASIO rapide) - Gain suffisant pour tous types de sources (40dB) - Charge fantôme 48V pour microphones condensateur - Option Air (présence) pour coloration lumineuse - Monitoring direct en temps réel - Mix indépendant casque/enceintes - Logiciels professionnels inclus (Ableton Live Lite, plugins) - Stabilité des drivers ASIO - Excellent pour guitare, voix, production Points à améliorer : - Aucun défaut majeur constaté pour cette catégorie Conseil d'utilisation : Je recommande de bien explorer toutes les options disponibles — charge fantôme, Air, monitoring direct. Chaque paramètre a son utilité selon le type d'enregistrement. Utiliser un bon câble XLR de qualité studio et investir dans un microphone condensateur pour tirer tous les bénéfices. Un casque de monitoring fermé est pour ma part indispensable pour la latence nulle. Recommandation : Je recommande vivement la Focusrite Scarlett Solo 4th Gen à tous les musiciens, guitaristes et producteurs débutants ou professionnels cherchant une interface sérieuse et intuitive pour home studio. La flexibilité des options, la qualité du préamplificateur et les logiciels inclus font vraiment la différence. Si vous enregistrez guitare, voix ou produisez de la musique, cette interface change vraiment la donne. Investissement intelligent et pérenne !