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2022 Facsimile of the 1936 Edition. This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself. Contents: The first test -- When acting is an art -- Action -- Imagination -- Concentration of attention -- Relaxation of muscles -- Units and objectives -- Faith and a sense of truth -- Emotion memory -- Communion -- Adaptation -- Inner motive forces -- The unbroken line -- The inner creative state -- The super-objective -- On the threshold of the subconscious. Review: Start with this book first. - I am presently in an acting fundamentals college class. I asked my professor if he could recommend any book for his class, what book would he recommend? "An Actor Prepares" was his answer. I wasted no time getting my copy. I am thoroughly impressed with the book. It is a very interesting approach to teaching. It is my suggestion that any serious acting student start with this book. It will help envision your mindset. The first chapter is a really good start and will make anyone dream of the stage. Review: Classic book on acting - An excellent book by the master of modern theorism of the acting class. A classic of its time. Much recommended.
| Best Sellers Rank | #26,432 in Books ( See Top 100 in Books ) #2 in Stagecraft (Books) #7 in Acting & Auditioning (Books) #821 in Memoirs (Books) |
| Customer Reviews | 4.7 out of 5 stars 1,730 Reviews |
D**C
Start with this book first.
I am presently in an acting fundamentals college class. I asked my professor if he could recommend any book for his class, what book would he recommend? "An Actor Prepares" was his answer. I wasted no time getting my copy. I am thoroughly impressed with the book. It is a very interesting approach to teaching. It is my suggestion that any serious acting student start with this book. It will help envision your mindset. The first chapter is a really good start and will make anyone dream of the stage.
J**R
Classic book on acting
An excellent book by the master of modern theorism of the acting class. A classic of its time. Much recommended.
S**H
Good investment to have in your book shelf
"An Actor Prepares" by Konstantin Stanislavski is a masterpiece that continues to shape the world of acting and theater. It is an indispensable resource for anyone interested in the art of performance, offering a rich blend of theory, practical exercises, and profound insights into the human psyche. Whether you're an aspiring actor, a theater enthusiast, or simply curious about the craft of acting, this book is a must-read that will forever change the way you perceive and appreciate the art of the stage.
M**.
Good for actors, not for fun
Its a rough read, to be completely honest. Its not exactly thrilling, but if youre an actor this is a must read. Stanislavski set the bar for modern day actors/acting, and his teachings at the very least must be studied by any aspiring actor. Now, if your looking for something interesting to read. and youre NOT interested in acting and theatre, this probably isn't for you. I love acting, and i bought this for my class, but i'm not a very focused reader and this was a battle to get through. Physically, my copy was fine, i got a used one which i promplty spilled coffee all over and filled with highlights and notes ;) a personal touch i guess. Anyways, i'm very happy with my buy, the book was great quality, but its not for everyone.
L**Y
A must read for any actor and singer
I got to this book through my voice coach, who insisted I should read it. I had heard about Stanislavsky's technique before several times at music school and actors workshop, but I put it off as I was afraid it could be too technical. However, this book is an eye-opener, easy to follow, and the narrator's experience during his acting lessons and what he learned are very relatable as well.
T**L
Shipped immediately and arrived in as described state. Thank you.
good thanks
P**H
A a great book in great shape!
This hardback copy of a great and classic book arrived fast and in wonderful condition. Thanks!
A**K
It wakes you up to certain realities and introduces you to some very useful techniques and principles
I found this a very interesting read. It gives the reader the experience of being in an actual acting class. After a while you really feel you are part of the class. It wakes you up to certain realities and introduces you to some very useful techniques and principles. I recommend this book for any person who wants to be an actor.
G**B
The seller values the Book and the Reader
The book is a gem. No doubts. But the thing I was amused was the packing of the product which was more than perfect. A gem is valuable if it reaches the readers in its original condition and the seller has taken 100% care of that. I wish other sellers like Cocoblue retail who see books as a grocery item take notes from them. Content 5🌟 Book Condition 5🌟 packing 5🌟 Seller 10🌟
M**O
Illuminating
Kostantin Stanislavsvky is ILLUMINATING. He knows ALL of the natural acting, its elementS, and its problems. After all, he is the father of modern acting
A**R
Awesome
Awesome
B**S
Who published this?
A poor quality photocopy of the book lacking even publisher details. I hope it’s out of copyright!
S**I
スタニスラフスキーの金字塔
映像俳優も舞台俳優もスタニスラフスキーを学ぶべきでしょう。実際世界の多くの演劇学校がスタニスラフスキー(またはそこから派生したメソッドアクティング)をベースにしています。 日本語訳は翻訳が逐語訳のところがあり、わかりづらく固い印象を受けるでしょう。私のサイト「TRAINER LABO」では、この英語版を元にわかりやすい訳で解説しています。 主に、スタニスラフスキーの理論の中でも、メンタル面に焦点を当てた本です。「超目標」「感情の記憶」など有名な用語が出てきます。この一冊だけでスタニスラフスキーを理解するのは少々危険です。第二部も合わせて手元に置いておきたいですね。 世界においてもいえることですが、日本でも誤解が非常に根強く、特に日本のスタニスラフスキー研究者があまり成果を挙げられなかったので、残念ながら日本の演劇界で定着し、芽を出していませんが、世界の俳優訓練の中では非常に重要視されています。是非バイブルにしてください。
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