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1971 stands as an odd, rather surreal year in British pop history: while American soft-rockers and singer-songwriters were dominating the album charts, the year in which the country ch-ch-changed over to decimal currency saw the homegrown pop/rock scene becoming increasingly eccentric.Marc Bolan invented glam rock, David Bowie wore a dress on the front cover of his latest album, The Kinks provided the soundtrack for a film about a penis transplant, DJ Tony Blackburn chose a single by The Edgar Broughton Band as his Record of the Week, and Jonathan King was backed on Top of the Pops by Fairport Convention. Peephole In My Brain documents the progressive-pop sounds of the year as the underground rock scene crossed over to the mainstream. Our 71 tracks from ’71 include major hits for the likes of Curved Air, Atomic Rooster and John Kongos as well as a selection of key album cuts from Procol Harum, ELP, Magna Carta, Barclay James Harvest, Cressida, Help Yourself, Legend and many others. We also include tracks that were first issued in 1971 but which would only make a mark later on: Status Quo would have to wait a while for ‘Mean Girl’ to hit the charts, Terry Dactyl & The Dinosaurs would find success twelve months later when ‘Sea Side Shuffle’ was reissued, and the Curtiss Maldoon album track ‘Sepheryn’ would be discovered more than twenty years later by Madonna, who used it as the basis for ‘Ray Of Light’.We disinter bona fide classic 45s from Kevin Ayers, Medicine Head, Wishful Thinking and The Move along with the song that Bowie wrote for his old friend Dana Gillespie, a clutch of righteously obscure but fascinating singles, a handful of essential singer/songwriter cuts and a raft of unissued-at-the-time nuggets from bands who existed outside of the major label pop bubble. Featuring a 40-page booklet crammed with rare illustrations and the stories behind the songs, Peephole In My Brain is an essential addition to Grapefruit’s acclaimed year-by-year series of late Sixties/early Seventies British rock and pop. Review: Very few Turkeys. - Excellent collection here. 73 tracks and only about ten of them could be called Turkeys. Songs with messages,Songs to make you laugh, Songs to make you think and music to make you wonder. If you missed out on the transition from 1969 to 1973 this is the album for you.. Its not rock, its not Pop, its not jazz or blues or MoR its just a collection if some really great tunes. Review: Takes you back in time - Great cd ,some songs I knew ,some new to me
| ASIN | B08BDBWG1G |
| Best Sellers Rank | 22,958 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) 2,454 in Box Sets (CDs & Vinyl) 2,514 in Compilations 3,279 in Pop Rock |
| Country of origin | Czech Republic |
| Customer reviews | 4.5 4.5 out of 5 stars (164) |
| Label | Grapefruit |
| Manufacturer | Grapefruit |
| Manufacturer reference | CDGF027 |
| Number of discs | 1 |
| Product Dimensions | 12.6 x 12.8 x 1.4 cm; 94.12 g |
R**.
Very few Turkeys.
Excellent collection here. 73 tracks and only about ten of them could be called Turkeys. Songs with messages,Songs to make you laugh, Songs to make you think and music to make you wonder. If you missed out on the transition from 1969 to 1973 this is the album for you.. Its not rock, its not Pop, its not jazz or blues or MoR its just a collection if some really great tunes.
W**R
Takes you back in time
Great cd ,some songs I knew ,some new to me
G**M
Fascinating range of obscure tracks.
Superb sleeve notes but a lot of the music was definitely very "niche".
A**W
Great Album title.
Another great rare compilation. standout tracks on here are by Kevin Ayers. The Hollies and Dana Bapitise.
A**R
This was interesting
A lot of varied musics.
M**T
A particular segment of the year, but by no means all of it.
Back in the late '60's there was a genre of LP's that we called 'samplers', ie a collection of offerings, generally from a particular label, which gave a 'taster' of their up and coming signings (not so much their 'successes' as people bought thier stuff anyway), but they tended to be unpredictable. This accumulation of material tries to be a bit like that - and fails. OK it's not restricted to a particular label, but there is a 'sameness' among many of the tracks that pin them in a specific pigeonhole.... which is almost the direct opposite of what the progressive scene was all about back then. There are many good tracks among the 70 odd listings, but there's a predominance of poetic, pretty acoustic stuff - which is all valid and enjoyable, but, if I have a criticism of the 'Peephole' collection is that it ONLY captures that sound, it misses the out on sheer variety of what was on offer. It lacks the heavy, the determinedly inventive, the wild, the wacky and the embryonic geniuses, the novel, the downright weird, the PROGRESSIVE! I loved hearing some of this stuff again, I'd forgotten how good it was - but unlike the earlier samplers, which tended to be quite eclectic in nature, and the early '70's which were similarly diverse, it is unerringly predictable. For someone who listened to Sparks 'Woofer' and Bowie's 'Oddity', and Zep III (back then) - for the first time as they were released, it's a bit of anticlimatic nostalgia, but not much more.............
R**T
Superb!
Superb compilation full of fond memories and many surprises. The accompanying “liner notes” are also excellent.
P**.
Great Set, Lousy Packaging.
This is another well put together comp from Grapefruit and full marks for including a Pete Atkin track. However as others have said, where is the clamshell box? The flimsy card slipcase is frankly pathetic and let's down what is otherwise a quality item (I will also add that thin card sleeves do not deserve to be called "mini LP packaging"). I still fully recommend this but would hope Grapefruit have a re think and re instate the boxes for future releases.
Z**I
Wydawało mi się że znam ten okres w muzyce, a tu się okazało że nie mal wszystko to dla mnie nowość. I to znakomita. Nie mogę wyjść z podziwu jak bogata muzycznie byłam w tym czasie Wielka Brytania
T**N
Another superb release from David Wells and company. So many tracks I have not heard before and accompanied by a most informative booklet detailing each song. There is something for everybody ! I must agree with previous reviewers who have lamented the lack of the clamshell box and the substitution with a flimsy paper thin wallet. I would rather pay a bit more to have the clamshell then have to carefully handle the wallet every time I wish to play a disc. Hence, only a 4 star rating. Cherry Red/Grapefruit Records please take note.
O**L
Grapefruit Records präsentiert hier englischen Pop von 1971, allerdings Musik, die es zum größten Teil nicht zu Charterfolgen schaffte, dazu war sie zu wenig Mainstream, es war eher Musik zum Zuhören und Entdecken. Auf 3 CDs sind 71 Songs versammelt, wovon der absolute Großteil der Interpreten kaum bekannt ist, ein paar wenige Künstler sind mit eher unbekannten, aber durchwegs guten Nummern vertreten. Was bekommt man zu hören? Im Prinzip quer durch den Gemüsegarten, Psychedelia, Pop, Rock, Folk, nicht alles hier ist gut, aber man findet so manche Juwelen. Musik ist subjektiv, ein paar Songs möchte ich hier vorstellen, sie sind übrigens alle auch auf Youtube zu hören: Sugar, Sugar (Sakkarin) Dahinter steckt Jonathan King, so schräg hat man den bekannten Hit der Archies noch nie gehört. Frightened (Bear Foot) Einfach schräg, kurios und liebenswürdig. The saddest day of my life (Nirvana, natürlich nicht die bekannte Grunge-Band) Melancholisch und schön Mean Girl (Status Quo) In den frühen Jahren waren sie psychedelisch unterwegs, diese Nummer ist einfach traumhaft God`s Children (The Kinks) Entstand in einer Zeit, als die Kinks schon berühmt waren, dass dies kein Hit wurde, ist mir unverständlich, jedenfalls absolut eingängig und traumhaft schön. Tokoloshe Man (John Kongos) Afrikanisch-psychedelische Klänge Turning Green (Jackie McAuley) Bombastnummer eines ehemaligen Mitgliedes von Them, ein bekannterer Künstler hätte damit wohl einen Hit gelandet. Ein weiteres Plus: ein informatives Booklet (wie bei Grapefruit Records üblich) über sämtliche Künstler.
W**1
Another nice set from Grapefruit
E**.
well the first set in this series featured 1967 with the great clam shell box set titled LETS GO DOWN AND BLOW OUR MINDS back in 2016 and now here we are on the sixth issue for 1971, from 1967 to 1971 you can clearly see/hear how much things had changed in the uk, this is a nice 3 cd set but i have something by most all artists featured here and since mod/psyche and the beat boom where well over by 1971 what we get here is a mix of PROG, HARD ROCK, SINGER SONGWRITER,PUB ROCK &FOLK. by 1971 prog was the main big attraction coming out of the uk as well as hard rock (heavy metal) so besides those other two genres most all artists here took a bit of a back seat to the huge bands like ELP, YES KING CRIMSON, DEEP PURPLE, BLACK SABBATH & URIAH HEEP this compilation is a bit more all over the place as we get a track on disc #1 by hard rockers STRAY and then the next track is one by pub rock legends HELP YOURSELF so we get a nice broad mix, this comes with a really nice booklet and all but like a couple of other recent releases from the cherry red family i docked this one star for packaging as unlike the other 5 volumes THIS AGAIN IS NOT A CLAM SHELL BOX and has the same cheaper packaging as a few recent others, like i said in a review the other day i just feel these are more prone to damage in shipping but as for the discs they sound great and the booklet is great but i miss the CLAM SHELL BOXES.... anyway all 3 cds come in mini lp replica style sleeves as well.
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