A Patch of Blue

They did an outstanding job of transferring this film to DVD and the 2.35x1 aspect ratio is how you want to see this; especially for the scenes in the apartment. They must have found an almost perfect print (or the original MGM negative) because the DVD is as crisp and clean as any I have ever seen. Because B&W relies so much on contrast and shadows there is often a problem with the old prints, but this well shot feature looks as good as it did in 1965.It took me almost 40 years to finally see "A Patch of Blue". It was promoted as the kind of trendy, raise your social consciousness movie that I avoid like the plague. The mid-sixties was full of this kind of moralizing political stuff, as the country finally began to wake up to the embarrassing social inequities and the hypocrisy that hung over everything like a cloud of poison gas. The older half of the baby boomer generation was beginning to question the fear and hate of their parents, and Hollywood was beginning to discover that this had exploitation potential. Most of these things were moronic at the time and have not improved with age.Ironically, what led to my finally viewing this film was watching Catherine Deneuve in another film from 1965; Polanski's "Repulsion". Writing a review of that film I lamented the failure of the Academy to nominate Deneuve for Best Actress and Polanski for Best Director. Whatever was thought then about the films and performances actually nominated, in retrospect they pale in comparison to "Repulsion". No one even gives a thought anymore to "Darling" or "Ship of Fools", "Doctor Zhivago" is more big that it is good, and Julie Andrews was great in a very weak movie (but decent musical). While "A Thousand Clowns" and "The Collector"-with Samantha Eggar, are good cult films, they are easy to dismiss.But when I got to Elizabeth Hartman's nomination for "A Patch of Blue" I realized that I knew very little about her or the performance, having dismissed it as just a reprise of Patty Duke's performance in "The Miracle Worker". I became more intrigued when I discovered that Hartman was the actress who blew me away in "The Beguiled", so I picked up a copy of the 2.35x1 aspect ratio DVD of "Patch of Blue". I was surprised to find that a film with the name of a color in its title had been shot in black and white.After seeing "Patch of Blue" I still made my case for "Repulsion", but qualified it by saying only Hartman's performance was in the same class as that of Deneuve. Which was quite a concession for me but both performances are truly wonderful.As for "Patch of Blue", I found it absolutely amazing-close to perfection. There were so many places where Guy Green could have screwed it up and he neatly avoided them all.The director is presented with a real problem when deciding how to film an actor playing a blind person. Tight shots on the eyes are what makes acting for the camera so special. Unfortunately the unfocused eyes of a blind person cannot convey much emotion, in fact anything but a blank stare betrays the blind illusion. So Guy Green had to get a verbal and body language performance out Hartman that compensated for not being able to use tight shots, and Hartman had to work at not just playing a complex character but also at maintaining the illusion that she was blind. All her scenes are excellent but she has three that are especially memorable.The first is at the kitchen table where she casually discusses being raped with Gordon. Her matter-of-fact narration plays perfectly with Poitier's horrified reaction.The second is after a stranger has helped her back to the apartment from her terrifying failed attempt to find the park by herself. In a few minutes she ranges from despair so deep it verges on madness, to extreme gratitude toward the boy who brings her a message, to giddy joy at the realization that Gordon cares enough about her to send someone to see what has happened to her. Hartman plays all parts of the scene convincingly-I wonder if they shot it all the same day or if Green shot each sequence separately.The third scene (and my personal favorite) is when she is alone in the park and it starts to rain. If someone told me of the challenges posed by this scene, I would not have given it much chance of success, yet Green pulls it off and Hartman is absolutely believable. The is the scene where you first really connect to Selena's fear and isolation, because by this time you know and identify with the character. Absolutely amazing.Here is a little Elizabeth Hartman trivia. After Patty Duke turned down the role because of type-casting concerns and Hayley Mills for financial reasons (what a disaster that would have been), they tested 150 unknowns and choose the 22 year old Hartman. "I believe I was lacking the things they wanted an actress to lack," Hartman told Sidney Skolsky when he made her the subject of one of his "Tintypes" profiles. After meeting her Slolsky said: "She is shy, timid. She sleeps in a normal-size bed in sleeveless nightgowns. She always takes her Raggedy-Ann doll to bed with her." Prior to Oscar night Hartman, who still lived in Youngstown with her mother, commented "I'm just waiting for someone to offer me a part in a picture or a play. I'm climbing the walls, as a matter of fact". MGM did not use her picture in their Oscar ads for her but used a sight gag, a pair of sunglasses in a Price Waterhouse envelope.Then again, what do I know? I'm only a child.

I love older movies, especially from the 1960s. I saw A Patch of Blue on the old movie channel a few times a while ago. Sidney Poitier is phenomenal as a caring man who just wants to help out, and be friends with a blind young woman. When a crush developes, Poitier handles it with class and patience, especially when dealing with public stares, and the young lady's very abusive mother. I understand at least two awards were won for this heartwarming amd sometimes violent movie. Five stars for sure!

Hard to find movie. This is one of my favorite movies from the 60's. Love Sidney Poitier!

Great Movie! Compassion for others!

Such a wonderful film. Sydney Poitier is again wonderful. And Elizabeth Hartman is incredible. So beautiful and talented. She is masterful in her performance!

Good item

I watched this decades ago with my Mama. She was a huge Poitier fan (I became one also) and I have always watched his films.The acting is brilliant all around, the script a masterpiece and the storyline deceptively simple. Very powerful film that gives the viewer much to think about. I’ve seen it countless times and am all-in every time!! If you haven’t seen it, give it a look. Don’t expect any of the fakery we see today. You won’t find any, but you won’t miss it and you won’t be disappointed, I promise.This movie is an example of the general opinion of black Americans in the 1960’s. As it’s set in the 60’s, it is in glorious black and white!

Liked movie

Schöner Film, gut gespielt und sehr ruhrend.

I love this move He is a great actor in all the movies he does.

Beautiful movieThank you

un vieux film vu dans mon enfance auquel je pensais souvent. Je me suis empressée de l'acquérir lorsque je l'ai vu. Il a gardé le goût de mon enfance, je n'ai pas été déçue, c'est toujours "un coin de ciel bleu" !

Shelley Winters won an Academy Award for her searing performance as Rose-Ann d'Arcy in A Patch of Blue. The star, however, is not Winters but Elizabeth Hartman, cast as d'Arcy's blind, sensitive daughter, Selina. A venomous prostitute, Rose-Ann treats both Selina and grandfather Ole Pa (Wallace Ford) like dirt. Fortunately, Selina finds a way out via the kindly Gordon Ralfe (Sidney Poitier), who befriends Hartman and tries to open up doors for her previously closed by her selfish mother. Despite the objections of the bigoted Rose-Ann and of Gordon's brother Mark (Ivan Dixon), a bond stronger than physical love is forged between Gordon and Selina. Brilliantly avoiding gooey sentiment throughout, A Patch of Blue was adapted for the screen by director Guy Green, from the novel Be Ready with Bells and Drums by Elizabeth Kata.One of the most touching and sensitive movies ever made, even today it has incredible impact and universally timeless. Poignantly the lead actress committed suicide at 43, and was incredibly quiet and sensitive but a beautiful talented actress.As a younger guy who studies films I cannot recommend this film highly enough.