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The 9th film from Quentin Tarantino features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood?s golden age. Review: I enjoyed it and watched it three times! - SPOILER ALERT IF YOU HAVEN'T SEEN THE MOVIE!! It's entertainment! It's fun! It's Old Hollywood that a lot of us read about in the magazines in the 60's and it's the horror of what happened without showing it. Leo's character had some gut wrenching scenes, like the bar scene with Timothy O. That was a bit hard to watch. An aging, once super popular tv western star now bloated from booze and forgetting lines, realizing he wasn't even a B list actor, was just sad. For me, Brad was the movie! He was having fun with his character and gosh, he has never looked better. Sobriety, maybe coming out on the other side of a nasty divorce finally, whatever, he just looks fit and actually content. The one part of the movie that got to me was when he was at the Ranch and the way those gals/guys were looking at him gave me chills. The hatred in their eyes reminded me of the news stories that came out after the murders and ensuing years of things they had done. Just mindless hatred. The acting here was well done and Bruce Dern, well, what can I say....heck of a part for him :) I thought the ending was perfect. It led up to the massacre without any detail. Rick Dalton had wanted to meet Sharon and Roman for a long time and there it was, Sharon on the gate intercom inviting him up for a drink and to meet her friends. His chance at maybe getting his Hollywood movie career back on track.....and the viewer is left knowing that would never happen because of what happened nights later behind that gate. Just a perfect ending. I can see why Sharon's sister approved of the movie. Her part was beautiful, fun and we were reminded of how horrific the crime was considering how pregnant she was. The music was non-stop and totally entertaining. Even Leo's painful rendition of "Green Door' stuck in my head for days after watching the movie! It's entertainment and for those of us who remember that time including all the westerns that glutted the tv screen back then, it was really well done. Quentin took his time with the characters, even with Brandy. OMG, that god-awful looking dog food though - lol! But, boy, do I remember being that drunk and opening a can of dog food and slopping it into a food bowl that way. I laughed every time Brad did that! Just enjoy it and don't look for reasons why Quentin did or didn't do this or that. It's a really good movie of a time in Hollywood that was changed forever by the maniacal followers of a man who has been described as being pure evil. Review: Another Tarrentino great! - Excellent movie. I'm a big Tarrentino fan, and this was a great experience! If you haven't seen it, worth the watch!









| ASIN | B07TNVXKMX |
| Actors | Brad Pitt, Emile Hirsch, Leonardo DiCaprio, Margaret Qualley, Margot Robbie |
| Best Sellers Rank | #665 in Movies & TV ( See Top 100 in Movies & TV ) #12 in Mystery & Thrillers (Movies & TV) #54 in Drama DVDs |
| Customer Reviews | 4.4 4.4 out of 5 stars (85,446) |
| Director | Quentin Tarantino |
| Dubbed: | French, Spanish |
| Item model number | D54206D |
| MPAA rating | R (Restricted) |
| Media Format | DVD |
| Number of discs | 1 |
| Producers | David Heyman, Quentin Tarantino, Shannon McIntosh |
| Product Dimensions | 0.7 x 7.5 x 5.4 inches; 2.72 ounces |
| Release date | December 10, 2019 |
| Run time | 2 hours and 42 minutes |
| Studio | Sony Pictures Home Entertainment |
| Subtitles: | English, French, Spanish |
T**L
I enjoyed it and watched it three times!
SPOILER ALERT IF YOU HAVEN'T SEEN THE MOVIE!! It's entertainment! It's fun! It's Old Hollywood that a lot of us read about in the magazines in the 60's and it's the horror of what happened without showing it. Leo's character had some gut wrenching scenes, like the bar scene with Timothy O. That was a bit hard to watch. An aging, once super popular tv western star now bloated from booze and forgetting lines, realizing he wasn't even a B list actor, was just sad. For me, Brad was the movie! He was having fun with his character and gosh, he has never looked better. Sobriety, maybe coming out on the other side of a nasty divorce finally, whatever, he just looks fit and actually content. The one part of the movie that got to me was when he was at the Ranch and the way those gals/guys were looking at him gave me chills. The hatred in their eyes reminded me of the news stories that came out after the murders and ensuing years of things they had done. Just mindless hatred. The acting here was well done and Bruce Dern, well, what can I say....heck of a part for him :) I thought the ending was perfect. It led up to the massacre without any detail. Rick Dalton had wanted to meet Sharon and Roman for a long time and there it was, Sharon on the gate intercom inviting him up for a drink and to meet her friends. His chance at maybe getting his Hollywood movie career back on track.....and the viewer is left knowing that would never happen because of what happened nights later behind that gate. Just a perfect ending. I can see why Sharon's sister approved of the movie. Her part was beautiful, fun and we were reminded of how horrific the crime was considering how pregnant she was. The music was non-stop and totally entertaining. Even Leo's painful rendition of "Green Door' stuck in my head for days after watching the movie! It's entertainment and for those of us who remember that time including all the westerns that glutted the tv screen back then, it was really well done. Quentin took his time with the characters, even with Brandy. OMG, that god-awful looking dog food though - lol! But, boy, do I remember being that drunk and opening a can of dog food and slopping it into a food bowl that way. I laughed every time Brad did that! Just enjoy it and don't look for reasons why Quentin did or didn't do this or that. It's a really good movie of a time in Hollywood that was changed forever by the maniacal followers of a man who has been described as being pure evil.
J**N
Another Tarrentino great!
Excellent movie. I'm a big Tarrentino fan, and this was a great experience! If you haven't seen it, worth the watch!
V**T
Love the Ending !!! This Ending is so much better than reality !!!
One of the coolest movies that I have seen !!!
H**S
Once upon a time in Hollywood DVD
Another Quentin Tarantino movie, which was an awesome and action packed film. I must have in every DVD collection.
C**S
Tarantino's Sacrificial Lamb
My rating is more of a 4.5. Thanks for reading! âđ°'đ đđđ đ đđđđ, đđđ đ°'đ đđđđ đđ đ đ đđđ đ đđđđ'đ đđđđ" "đ”đđ, đđ đđđ đ đđđđđ đđđđ đđđđ" Once Upon a Time in Hollywood is a 2019 comedy-drama film written and directed by Quentin Tarantino. Set in 1969 Los Angeles, the film follows a fading character actor (Rick) and his stunt double (Cliff) as they navigate the rapidly changing film industry, with the looming threat of the Tate-LaBianca Murders hanging overhead. if there's any technique Tarantino has down to a science it is that of the fragmented narrative. Broken â but far from brittle - âOnce Upon a TimeâŠâ successfully forces two separate storylines to converge into one; consequently this expunges the need for what would otherwise be exhaustive exposition. This is especially true when what is considered common knowledge about Sharon Tate's life - or more specifically, her death - and speaks to the desire to tell a fully developed story using only the bare essentials or necessities. Taking place towards the end of the sixties âOUATâŠâ stays dutifully committed to its intended aesthetic. The entirety of what is heard in the background or periodically Incorporated as casually announced news-bulletins - like those about the murder of Senator Robert F. Kenedy - are rooted in fact and contextually allude to historically significant events. Drawing from the wealth of influences available, Rick Dalton is a caricature of Steve McQueen ( who, unlike Dalton, made a more successful and comfortable transition from television to films), Edd Byrnes, Ty Hardin, and Pete Duel. Despite some initial difficulties in regards to convincing the surrounding Hollywood vendors to authorize the fitting of their premises with period facades to better represent the 1960s this obstacle was eventually surmounted (with some of these veneers staying in place long after production concluded). (Fun fact: Quentin Tarantino would not allow the use of cell phones on set while filming in lieu of phone booths being installed in the case that calls needed to be made by crew members. Talk about some devilish devotion!) With its paralleled narrative and authentic set design assuming the role of âOUATâŠâs bread, this sandwich of satisfaction doesn't skimp in ensuring that the filling that is its characters is just as delicious and savory in tandem. They say you can't teach an old dog new tricks - and lucky for the audience sometimes you donât have to. Possibly one of my favorite performances by DiCaprio to date, his demeanor (and excellently executed accent!) capture the essence of a character that both reaps the benefits of his fame while struggling with the lingering impermanence of it. As if designed to be a direct foil to this conundrum Cliff - portrayed by the one and only Brad Pitt (who does his stunts - surprise!) - embraces the fluidity his role invites and rolls with the punches (literally) as it is necessary As a consequence of this their relationship on screen becomes self-referential in that Cliff often does all of the dangerous fighting while Rick is rewarded with a flashy climax and what is assumingly will be all of the credit for a âjob well doneâ. On the topic of dogs: a three-year-old Pitbull by the name of Sayuri was honored with the Palm Dog Award following her equally committed and sometimes scene stealing performance as âBrandyâ (more than deserved, if I do say so myself). Only accounting for approximately 20 minutes of screen time, Margot Robbie's portrayal of Shannon Tate is reflective of the amount of research done in preparation for it. Adorned with an abundance of grace, poise, and some of Tate's real jewelry, the accuracy of her performance reportedly moved some of Tateâs surviving family members to tears. It is a shame this same effort wasn't put into the portrayal of Bruce Lee - who, arguably, could have been written in as someone with less notoriety attached - but this is comfortably written off as a result of an interaction being perceived by audience members as the way in Cliff seems to đđđđđđđđ it. Setting the audience up with tension from the very start ( as might be conjured following the recollection of Tateâs untimely untimely demise) âOUATâŠâ comes to a screeching halt following a climatic and violently stylized surprise. It goes without saying that this conclusion is as far as possible from being rooted in truth, but the irony is in how this ending is a significantly happier one. Described as a âlove letter to Hollywoodâ, in many ways âOUATâŠâ simultaneously acts as Tarantinoâs sacrificial lamb; it ascends as a forgivably transgressional and sensational depiction of the relationship that directors and actors have with a craft that resembles, replicates, and manufactures reality as it is seen fit. I would recommend!
G**L
Excelente filme, essa edição vem com legendas em pt
O**3
Ungeachtet seines kommerziellen Erfolges ist âOnce Upon A Time In Hollywoodâ kein Werk fĂŒr jedermann. Dieser Film setzt Interesse voraus, er wurde gemacht fĂŒr Leute, die von amerikanischer Pop-Kultur fasziniert sind, von den Sixties, Los Angeles, dem Filmemachen, von Film-Stars und ihrem Leben hinter den Kulissen der Traumfabrik und von den bizarren Verbrechen der Manson-Family. Wer diesen Kriterien entspricht, der kann sich hier nicht langweilen, sondern wird eine tolle Zeit haben beim Cruisen durch eine faszinierende Szenerie und eine faszinierende Ăra, als die Musik cool war, die Autos schön und die Frauen groovy. Alle anderen sind hier einfach falsch und sollen sich doch bitte etwas anderes ansehen. Jene Zuschauer, die enttĂ€uscht wurden, haben Tarantino vielleicht schon immer aus den falschen GrĂŒnden verehrt und seine Motivation als KĂŒnstler verkannt, denn es steckt viel mehr hinter seinen Filmen, als ein flĂŒchtiger Blick auf ihre OberflĂ€che verrĂ€t, und manches davon erschlieĂt sich erst bei mehrfacher Betrachtung. Dass der Film die Erwartungen mancher Zuschauer nicht erfĂŒllt, könnte am Trailer liegen, der ein rasantes Werk verspricht, doch âOnce Upon A Time In Hollywoodâ ist entschleunigt und nimmt sich Zeit, wenn er in Bildern schwelgend seine SchauplĂ€tze entfaltet. Das ist mal ein anderer Tarantino, nicht grotesk und opernhaft spektakulĂ€r, sondern beinahe impressionistisch, ein Film vor allem fĂŒr das Auge. Gelegentlich könnte das Tempo höher sein, und manchmal wirkt es etwas selbstverliebt, wie Tarantino seine Ideen zelebriert und auskostet, doch am Ende des Tages funktioniert es. Im Gegensatz zu seinen frĂŒheren Werken ist Gewalt diesmal kein organischer Bestandteil der Story, was zu Problemen fĂŒhrt, wenn beispielsweise in der Ranch-Szene ein zurĂŒckgebliebener Manson-Boy von Cliff Booth vermöbelt wird. Das ist weder lustig noch cool, sondern nur unschön anzusehen, und Tarantino geht hier wohl in seine eigene Falle beim Versuch, sein Image beim Massenpublikum zu bedienen. Kritisiert wurde vor allem der Gewaltexzess am Schluss, aber Tarantino tut nichts anderes, als die tatsĂ€chlichen Ereignisse auf den Kopf zu stellen und den Exzess 1:1 gegen die Manson-Killer zu richten, und er ist dabei gnadenlos konsequent. Ein Massaker mit umgekehrten Vorzeichen, âgruesome as you canâ: Das Filmgeschehen ist lediglich so absurd und monströs wie die Manson-Morde selbst. SpĂ€testens seit âInglourious Basterdsâ dĂŒrfte bekannt sein, dass Tarantino ein AnhĂ€nger alttestamentarischer Gerechtigkeit ist, also heiĂt es auch diesmal âAuge um Augeâ, denn nicht nur Nazi-Massenmörder âgehören vernichtetâ. In bezug auf das Finale ist allerdings die Frage erlaubt, wie jemand, dessen Wahrnehmung von LSD verzerrt ist, eine Dose Hundefutter noch dermaĂen treffsicher zu werfen vermag. Die Leistung von Leonardo Di Caprio sollte nicht unterschĂ€tzt werden, denn fĂŒr einen Schauspieler seines Kalibers war es vermutlich nicht leicht, einen minderbegabten Mimen zu verkörpern, doch die Highlights von âOnce Upon A Time In Hollywoodâ werden von den Nebendarstellern gesetzt, die eine Reihe von KabinettstĂŒcken abliefern â Al Pacino mit einer Scarface-Reminiszenz, Nicholas Hammond als schrĂ€ger Western-Regisseur, Timothy Olyphant als hyperreales Revolverhelden-Klischee, ein urkomischer Bruce Dern als George Spahn, Dakota Fanning, Margaret Qualley und Julia Butters - sie alle bekommen Gelegenheit zu brillieren. Bemerkenswert ist die Darstellung der weiblichen Figuren in Zeiten von Me Too. Quentin Tarantino schwimmt nicht mit dem Strom und unterwirft sich keiner feministischen Hysterie und Heuchelei. Wie er die QualitĂ€ten seiner Schauspielerinnen in Szene setzt, das ist offensiv bis zur Exploitation, und sie zeigen sich gern und machen ein visuell ohnehin umwerfendes Werk noch ansehnlicher. Was immer irgendjemand gegen diesen Film einwenden mag, das Ende von âOnce Upon A Time In Hollywoodâ ist wunderbar in jeder Beziehung und schon allein die ganze Veranstaltung wert. Hier hat das Kino die Macht, die Toten zum Leben zu erwecken und sie weiterleben zu lassen. Das ist tröstlich und befriedigend und ein wunderbares Erlebnis. So wird Quentin Tarantino mit âOnce Upon A Time In Hollywoodâ buchstĂ€blich und endgĂŒltig zum Kino-Magier.
A**ăŒ
good product
N**S
Once Upon A TIme In Hollywood is Amazing! Brad Pitt steals the show and gives an amazing performance! Margot Robbie is beautiful and does a great job playing Sharon Tate. Leonardo DiCaprio gives a good performance as usual. This film does a great jobs at portraying the upcoming of Hollywood and i really enjoyed this film. Plus Margaret Qualley has some fun scenes! Once Upon A Time In Hollywood is a must watch!
E**ïżœ
Me encantĂł la pelĂcula, es muy divertida y ademĂĄs estĂĄ en español latino. Me encanta su humor irreverente!!!
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