---
product_id: 8040690
title: "Riggy-Micro Dual-XLR Preamplifier with Phantom Power"
brand: "juicedlink"
price: "3512 som"
currency: KGS
in_stock: false
reviews_count: 8
url: https://www.desertcart.kg/products/8040690-riggy-micro-dual-xlr-preamplifier-with-phantom-power
store_origin: KG
region: Kyrgyzstan
---

# Phantom power support Dual-XLR inputs Low power operation Riggy-Micro Dual-XLR Preamplifier with Phantom Power

**Brand:** juicedlink
**Price:** 3512 som
**Availability:** ❌ Out of Stock

## Summary

> 🎶 Elevate Your Audio Game with Riggy-Micro!

## Quick Answers

- **What is this?** Riggy-Micro Dual-XLR Preamplifier with Phantom Power by juicedlink
- **How much does it cost?** 3512 som with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.kg](https://www.desertcart.kg/products/8040690-riggy-micro-dual-xlr-preamplifier-with-phantom-power)

## Best For

- juicedlink enthusiasts

## Why This Product

- Trusted juicedlink brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Unleash Your Sound:** Experience crystal-clear audio with dual XLR inputs for professional-grade recordings.
- • **License-Free Freedom:** Most users can operate without a license, giving you the freedom to create without limits.
- • **Interference-Free Zone:** Designed to minimize interference, so your sound remains pure and uninterrupted.
- • **Power Up Your Performance:** Equipped with phantom power, ensuring your microphones perform at their best.
- • **Stay Compliant, Stay Creative:** Operate worry-free with low power levels, perfect for any venue.

## Overview

The Riggy-Micro Dual-XLR Preamplifier with Phantom Power is a professional audio solution designed for creators seeking high-quality sound. With dual XLR inputs and phantom power support, it ensures optimal microphone performance while operating at low power levels to comply with regulations. Ideal for musicians, podcasters, and content creators, this preamplifier offers a seamless audio experience without the hassle of licensing.

## Description



## Features

- Consumer Alert: Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.

## Images

![Riggy-Micro Dual-XLR Preamplifier with Phantom Power - Image 1](https://m.media-amazon.com/images/I/61A2rcQ6nDL.jpg)
![Riggy-Micro Dual-XLR Preamplifier with Phantom Power - Image 2](https://m.media-amazon.com/images/I/61hH-ya6caL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Designed for Nikon D800 and Canon 5DMKIII DSLR audio
  

*by U***E on Reviewed in the United States on April 27, 2013*

After trying the Beachtek DXA-SLR PRO - DSLR Audio Adapter (which is really designed for the Canon 5DMKII, which lacks earphone monitoring) and several other methods of getting excellent professional quality audio into my Nikon D800 (including buying the Nikon 27045 ME-1 Stereo Microphone Supplied with Wind Screen and Soft Case), I settled on this juicedLink RM222 Riggy.The RM222 is really a miniature mixer in a compact box, not just a preamp. The RM222 has two XLR line/mic inputs; the RM333 has three XLR, with two of the three inputs mixed together before sending the signal to one channel of the camera.Canon and Nikon insist on giving us the amateur stereo-mini, unbalanced, high impedance audio input that is the exact opposite of what a pro is looking for. Unbalanced low impedance signals suffer greatly if extended even a few feet (frequency response suffers) and become more sensitive to RF noise as half the signal path is carried by the shielding. The unbalanced extension cord essentially becomes an RF antenna, attracting noise instead of rejecting it. Even Nikon's own ME-1 external mic is sadly lacking in audio quality, even if it's close to the source.The RM222 provides the professional, balanced, low impedance XLR inputs -- and the extra gain -- needed to bring professional audio into the camera. A balanced low impedance mic signal can run for long distances in electronically (RF) noisy environments with no frequency loss.The key difference to the juicedLink RM222/333 line is that it's tailored to what the camera needs, not just an industry standard "mic level." The RM222 outputs a hotter signal -- somewhere between mic and line. This hotter signal allows you to run your camera's manual input down to "1" to minimize camera preamp noise. The RM222's signal is super low noise and very clean. It allows you to plug almost any mic into the RM222 and get an excellent signal to the camera.It's powered by a 9-volt battery -- either alkaline or LiPoly -- and has an LED that indicates it's turned on and another LED that tells you the battery is exhausted. A switch tells it which type of 9v battery you are using.It has switchable 12- or 48-volt phantom power. If the mic works on 12V phantom, that will use less battery than the 48V setting. To save battery life further you can turn phantom on to each channel separately or turn off completely.The box is sturdy and small -- approx 8oz, 3" x 3.5" x 1.5" -- and designed to mount to the bottom of the camera without blocking the camera's battery door. It has a 1/4-20 tripod socket on the bottom. You can also mount it to the hot shoe on top with an optional adapter or to various rig cages if you have one. The 9v battery is easy to change without tools.The RM222/333 is designed specifically for the newer DLSR's like the Nikon D800 or Canon 5DMKIII, both of which have fully manual audio input controls, VU meters and earphone monitoring.As you use the camera's Liveview screen and earphone out to monitor and check audio levels from the RM222 (it's always better to monitor from the camera), all the preamp/mixer has to do is deliver a clean signal. The RM222 does this very, very well.It has the ability to take a single mic and send it to both channels.  But to protect you from overdriving, if you throw one of the many switches it will pad down the right channel 16dB. This way you have an identical signal going to both channels, except Channel 2's signal is lower, in case Channel 1 overdrives.I set my Nikon D800 audio to "1" and set the RM222's pots between "noon" and 1 o'clock, with gain switches in "hi" and line/mic switches set to the appropriate input: "mic" if I'm feeding a mic directly or "line" if I'm feeding a line-out source like an external mixer. You set levels by adjusting the pots until the peaks slap against the -12dB mark on the VU meters. That gives you 12dB of headroom.It's very good for run-and-gun shooting.Two things I'd fix: with 12 tiny switches on the top that allow a lot of flexibility, more readable type would help. Second, I wish it came with a coiled stereo-mini to stereo-mini cable, so it was more compact in use and less likely to snag. I bought a BeachTek SC35 3.5mm to 3.5mm Stereo Output Cable for DXA Adapters for this.This device will also help other recording devices that need more gain to get clean signal, as long as they have an amateur stereo mini input. This includes many home camcorders and even the Zoom H4-N, which has both XLR and stereo-mini inputs.Bottom line: the audio delivered to the camera (or other devices down the line like an Atomos Ninja-2) will be as good as technically possible, regardless of the source you feed it, whether it's a line level signal, a lav, a phantom-powered shotgun or a low-power dynamic mic.

### ⭐⭐ 2.0 out of 5 stars







  
  
    The sound quality is great, it's sturdy
  

*by P***C on Reviewed in the United States on August 22, 2014*

The sound quality is great, it's sturdy, and I really like the option to output one channel with padding in case something clips, but design is awful for actually attaching to a camera. The tripod screw is so far to the side you can't put a tripod plate on the bottom and maintain any kind of stability. If you mount it to a cage or hotshoe it's fine.

### ⭐⭐⭐ 3.0 out of 5 stars







  
  
    Performs well, but form factor leaves something to be desired
  

*by F***O on Reviewed in the United States on May 11, 2014*

This is a great unit for powering a couple XLR mics and it works as advertised. However, my main gripe is that it fits very awkwardly beneath my camera and is a pain to remove and attach. I've already misplaced the allen key that came with it...

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*Product available on Desertcart Kyrgyzstan*
*Store origin: KG*
*Last updated: 2026-03-03*