--- product_id: 5455621 title: "Purgatory (The Divine Comedy)" price: "4584 som" currency: KGS in_stock: true reviews_count: 9 url: https://www.desertcart.kg/products/5455621-purgatory-the-divine-comedy store_origin: KG region: Kyrgyzstan --- # Purgatory (The Divine Comedy) **Price:** 4584 som **Availability:** ✅ In Stock ## Quick Answers - **What is this?** Purgatory (The Divine Comedy) - **How much does it cost?** 4584 som with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.kg](https://www.desertcart.kg/products/5455621-purgatory-the-divine-comedy) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description A new translation by Anthony Esolen Illustrations by Gustave Doré Written in the fourteenth century by Italian poet and philosopher Dante Alighieri, The Divine Comedy is arguably the greatest epic poem of all time—presenting Dante’s brilliant vision of the three realms of Christian afterlife: Inferno, Purgatory, and Paradise . In this second and perhaps most imaginative part of his masterwork, Dante struggles up the terraces of Mount Purgatory, still guided by Virgil, in a continuation of his difficult ascent to purity. Anthony Esolen’s acclaimed translation of Inferno, Princeton professor James Richardson said, “follows Dante through all his spectacular range, commanding where he is commanding, wrestling, as he does, with the density and darkness in language and in the soul. It is living writing.” This edition of Purgatory includes an appendix of key sources and extensive endnotes—an invaluable guide for both general readers and students. Review: Best Dante Translation Available - Anthony Esolen did a most excellent job translating. He captures the spirit of the text with a faithful rendering into an English that has grace and flow. He manages to break out of the stodgy translations I had when I was younger, but he didn't make the mistake of trying to make it too colloquial. He hits the mark perfectly. I suspect his Catholic devotion plays a significant role in his ability to bring the Inferno to us as it really is, without the irony of post-modernism--the text qua text--and it is a learning experience on at least two levels. One, you get to hear what good, epic poetry is supposed to sound like read aloud. Second, it is a living, breathing catechism of sorts. I know it's a bold claim, but I think it's the best translation of Dante out there. In terms of physical quality: sturdy paperback, thick paper, readable font. Great price for the volume. Review: Great Understanding, Artistry, and Depth - Many readers enjoy the Inferno but proceed no farther. Late in the Inferno (canto xxx), Virgil admonishes Dante to stop watching and enjoying the brawling damned. Rather than fixate on the entertainment of hell, readers also should lift their attention and go with the poets to Purgatory. The Purgatorio "is arguably the product of Dante's most brilliant poetic conception," Esolen says, because although "there were visions of Hell before Dante's, however far they fall short of his[, t]here were no visions of Purgatory." Dante captures well the meaning of the doctrine of Purgatory, the efficacy or prayers for the dead, and joyful suffering, portraying them with great understanding, artistry, and depth. Esolen's notes are respectful and explanatory, complementing and complimenting Dante. Purgatory is an easier read than is the Inferno, and it should be as we move from the heavy darkness of hell into the light. While Esolen's translation of the Inferno would have benefited from a schematic of hell, the ascent of Mount Purgatorio is more easily visualized and needs no such aid. I found The Dore Illustrations for Dante's Divine Comedy (136 Plates by Gustave Dore) (a few small examples from Dore are in Esolen's volume) a valuable aid in reading the Inferno, but the illustrations added less benefit to Purgatory; the black and white illustrations that helped capture the sense of the darkness in hell were even a bit of a handicap when considering the symbolism of the colors in Purgatory. I wouldn't however go as far as Ciardi did in his translation, where he cautions readers "to visualize Dante's scenes in terms of Dante's own details rather than in terms of Dore's romantic misconceptions." (Ciardi note to Canto xiii, l. 61-66.) Permit me a quibble. In his note to canto xxiv, l. 124-125, Esolen says that when Gideon separated his troops at God's instruction before routing the Midians, those who cupped their hands to drink were sent away and that those who lapped like dogs were selected. But Judges 7:4-7 says that those who cupped their hands were the same ones who lapped like dogs and were the ones selected; those who were sent away were those who knelt or laid down to drink. ## Technical Specifications | Specification | Value | |---------------|-------| | Best Sellers Rank | #58,411 in Books ( See Top 100 in Books ) #67 in Ancient & Classical Poetry #105 in Epic Poetry (Books) #1,818 in Classic Literature & Fiction | | Customer Reviews | 4.8 out of 5 stars 254 Reviews | ## Images ![Purgatory (The Divine Comedy) - Image 1](https://m.media-amazon.com/images/I/91gLbI4RgiL.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ Best Dante Translation Available *by M***S on August 18, 2025* Anthony Esolen did a most excellent job translating. He captures the spirit of the text with a faithful rendering into an English that has grace and flow. He manages to break out of the stodgy translations I had when I was younger, but he didn't make the mistake of trying to make it too colloquial. He hits the mark perfectly. I suspect his Catholic devotion plays a significant role in his ability to bring the Inferno to us as it really is, without the irony of post-modernism--the text qua text--and it is a learning experience on at least two levels. One, you get to hear what good, epic poetry is supposed to sound like read aloud. Second, it is a living, breathing catechism of sorts. I know it's a bold claim, but I think it's the best translation of Dante out there. In terms of physical quality: sturdy paperback, thick paper, readable font. Great price for the volume. ### ⭐⭐⭐⭐⭐ Great Understanding, Artistry, and Depth *by J***. on March 10, 2013* Many readers enjoy the Inferno but proceed no farther. Late in the Inferno (canto xxx), Virgil admonishes Dante to stop watching and enjoying the brawling damned. Rather than fixate on the entertainment of hell, readers also should lift their attention and go with the poets to Purgatory. The Purgatorio "is arguably the product of Dante's most brilliant poetic conception," Esolen says, because although "there were visions of Hell before Dante's, however far they fall short of his[, t]here were no visions of Purgatory." Dante captures well the meaning of the doctrine of Purgatory, the efficacy or prayers for the dead, and joyful suffering, portraying them with great understanding, artistry, and depth. Esolen's notes are respectful and explanatory, complementing and complimenting Dante. Purgatory is an easier read than is the Inferno, and it should be as we move from the heavy darkness of hell into the light. While Esolen's translation of the Inferno would have benefited from a schematic of hell, the ascent of Mount Purgatorio is more easily visualized and needs no such aid. I found The Dore Illustrations for Dante's Divine Comedy (136 Plates by Gustave Dore) (a few small examples from Dore are in Esolen's volume) a valuable aid in reading the Inferno, but the illustrations added less benefit to Purgatory; the black and white illustrations that helped capture the sense of the darkness in hell were even a bit of a handicap when considering the symbolism of the colors in Purgatory. I wouldn't however go as far as Ciardi did in his translation, where he cautions readers "to visualize Dante's scenes in terms of Dante's own details rather than in terms of Dore's romantic misconceptions." (Ciardi note to Canto xiii, l. 61-66.) Permit me a quibble. In his note to canto xxiv, l. 124-125, Esolen says that when Gideon separated his troops at God's instruction before routing the Midians, those who cupped their hands to drink were sent away and that those who lapped like dogs were selected. But Judges 7:4-7 says that those who cupped their hands were the same ones who lapped like dogs and were the ones selected; those who were sent away were those who knelt or laid down to drink. ### ⭐⭐⭐⭐⭐ Great Translation *by D***N on January 18, 2025* This is a wonderful translation of the Purgatorio, with Italian facing English. Esolen's translations of the Inferno and Paradiso are also excellent. ## Frequently Bought Together - Purgatory (The Divine Comedy) - Paradise (The Divine Comedy) - Inferno (The Divine Comedy) --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.kg/products/5455621-purgatory-the-divine-comedy](https://www.desertcart.kg/products/5455621-purgatory-the-divine-comedy) --- *Product available on Desertcart Kyrgyzstan* *Store origin: KG* *Last updated: 2026-05-24*