---
product_id: 5121268
title: "Thor"
brand: "patrick doyle"
price: "28367 som"
currency: KGS
in_stock: true
reviews_count: 11
url: https://www.desertcart.kg/products/5121268-thor
store_origin: KG
region: Kyrgyzstan
---

# Thor

**Brand:** patrick doyle
**Price:** 28367 som
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Thor by patrick doyle
- **How much does it cost?** 28367 som with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.kg](https://www.desertcart.kg/products/5121268-thor)

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- patrick doyle enthusiasts

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- Trusted patrick doyle brand quality
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## Description

The score to THOR was created by Academy Award nominee Patrick Doyle who has score such films as MAIN STREET, HARRY POTTER AND THE GOBLET OF FIRE and IGOR.

## Images

![Thor - Image 1](https://m.media-amazon.com/images/I/41qiQ71qIvL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 







  
  
    Thor soundtrack
  

*by A***R on Reviewed in the United States 🇺🇸 on May 22, 2023*

I love the movie and the music was amazing. When I listen to the soundtrack it feels like I am watching the movie in my mind.

### ⭐⭐⭐⭐⭐ 







  
  
    Patrick Doyle Wows The Summer Crowds With Not Only A Great Summer Score But One Of The Best Of The Year
  

*by K***S on Reviewed in the United States 🇺🇸 on September 19, 2011*

Marvel has had a shaky record when it comes to scores for their films, and when I say Marvel I mean Marvel Studios (which excludes Spider-Man and X-Men). Iron Man started off with a bang. They couldn't get Hans Zimmer but they got Ramin Djawadi to deliver an amazing score with a strong central theme. It strived in its simplicity and gave Tony Stark his rock star identity. Then with The Incredible Hulk Craig Armstrong while delivering a decent score didn't end up making a memorable stamp. The film didn't either. Then came Iron Man 2, and what does Marvel do? They toss out Ramin Djawadi and go with Jon Favreau's regular John Debney. While I respect Debney his score failed. At times it mimicked Djawadi, but Tony Stark lost his identity and lost everything that made the musical stamp memorable. So, with Kenneth Branagh on board for Thor he was able to bring Patrick Doyle to the project; his long time composer. Some may have questioned Doyle's ability to provide a thunderous score that needed to match Thor's thunderous personality. Thankfully Doyle rose to the occasion and delivered what is Marvel's best score to date. He also did something that till now only Djawadi did for a Marvel character and that was give him an identity.There are two central themes at play here; what I call the 'heroic' theme and the 'danger' theme. One is a sweeping and emotional theme that represents Thor and the other a percussive action styling that makes up the basis of all the action tracks, or whenever danger is present. The soundscape works off of these two sounds and Doyle will usually clash the two to create momentous cues that not only are intense but emotionally gripping. A lot of this comes towards the end though. The beginning of the album is more dedicated to setting up the characters, setting and story. Now you may say "well that's obvious." But honestly I have listened to many scores that seem to forget that they too need to set up character, setting and story. Gladly Doyle's experience does not let that slip by him. Now that the score is firmly grounded he can create all the variations he wants and it will still feel like a growing continuation of where the journey started. Our first battle cue is "Frost Giant Battle" which has a slightly different feel than say "The Compound", and I love that you can differentiate that these two action scenes take place in different locations solely by the music. In the early cues that percussive intensity completely washes out the heroism factor for just a moment and we forget our main character is a God. As the album concludes the hero theme comes back into play and grows and grows. The full meshing of the percussive action with the sweeping heroism comes with "Thor Kills The Destroyer" and now we have our hero back.The score is perfectly structured which really allowed me to get completely taken away by it. Patrick Doyle's themes are grand without ever being over the top and the simplicity in the melodies allows the music to reach amazing heights. I think Patrick Doyle has just proven himself to be quite a formidable talent in the realm of blockbuster score composers. The fact that the music is a symphonic score really gives it an organic weight that we don't hear too often. While I absolutely love synths and electronics in scores one can't deny that everyone is using them nowadays. It's really refreshing to have a big score such as this that doesn't rely solely on synths for an intense sound. Patrick Doyle's score pounds with thunderous success as he breaths life into Thor and gives us what is sure to be one of the most memorable scores of the year.

### ⭐⭐⭐⭐⭐ 







  
  
    An impressive score - both on-screen and on its own
  

*by J***  on Reviewed in the United States 🇺🇸 on August 20, 2015*

Patrick Doyle’s score for ‘Thor’ is both beautiful and includes a few key themes.  With film composing nowadays, themes aren’t as important as they once were - and often there’s a 50-50 chance of getting a good theme in a soundtrack.  Patrick Doyle definitely owns this score, as he’s captured all the right emotions for the action cues (fear, peril, fast-paced) and the emotional weight of the story.  There are two themes for the character of Thor that I’ve noticed, the one in “Sons of Odin” and “A New King”, and both alternate at different times.  The theme from “A New King” is used much more, and is included in action pieces such as “Thor Kills the Destroyer”, more climatic pieces such as “Earth to Asgard”, downbeat/sad pieces (‘Forgive Me’), etc.  The theme from “Sons of Odin” is used when there’s more awe, joy or a sense of uplifting the listener.  Both of these are amazing themes and I’m glad that Patrick Doyle used more than one.  Also to be noted is the rhythmic cues for the more suspenseful pieces, such as “To Jotunheim”.  It definitely captures the suspense, but it’s a little harder to connect this cue to the Frost Giants.  I’m still giving this score five stars because it is such a breath of fresh air.  Patrick Doyle’s style is more unique and more classical than most other film score composers today, and I’ve needed this kind of variety for a very long time.  Definitely check this score out!

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*Product available on Desertcart Kyrgyzstan*
*Store origin: KG*
*Last updated: 2026-02-21*